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February, 2005
The Smithsonian American Art Museum Interview with Joann Moser, Senior Curator by Janet Maher
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Pies, from the book Delights, by Wayne Thiebaud, 1964, etching and aquatint, 4" x 4 7/8". Click image for a larger view. |
The Smithsonian American Art Museum (SAAM) and The National Portrait Gallery (NPG)
are "sister" museums, having shared the space of the historic former
Patent Office Building since 1968. Although the architecturally significant museum
building has been undergoing renovation since 2000, SAAM and NPG have been open
most of the time that the museum has been closed, their offices, archives, and
shared library having been relocated to the Victor Building at 750 Ninth Street
NW. Upon completion of the renovation SAAM and NPG will continue to share the
Patent Office Building, with galleries devoted to the graphic arts in each of
the museum's spaces. The grand reopening is scheduled to occur on July 4, 2006.
Both SAAM and NPG have very comprehensive web sites with online exhibitions and
beautiful catalogues available through their online museum shops. It is possible
to visit their study rooms to see works by advance appointment.
About two-thirds of the Smithsonian American Art Museum's collection is works on
paper. The nation's first federal art collection, this collection represents a
great many artists, both obscure and well known, with a focus upon those who were
instrumental in the development of American art. Its great strength is in works
from the 20th century, although it has fine examples of 19th century art as well
and a growing collection of contemporary works.
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Raval 6, by Sean Scully, 1996, etching, hardground, sugarlift, aquatint, 11 3/8" x 22 7/8". Click image for a larger view. |
Ecnud, by William T. Wiley, 1975, color lithograph on paper and wood, 24" x 18". Click image for a larger view.
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SAAM has a strong collection of prints from the time of the Works Project Administration
as well as the 1920s through the 1960s. The collection also represents several
artists in great depth, including Howard Cook, Louis Lozowick, Werner Drewes, Robert
Cottingham, and William T. Wiley, from whom a gift of seventy prints was recently
received. SAAM has the only master collection of Sean Scully’s prints in the United
States, a selection of which will be shown at the end of 2006.
Senior Curator, Joann Moser, produced the 125-image monotype exhibition, Singular
Impressions: The Monotype in America, in 1997, which greatly added to the collection
in that area. This exhibition is considered to have been "the first comprehensive
exhibition of monotypes in America." Unfortunately, the catalog is out of print,
but a video of the monotype process, with Susan Goldman demonstrating, is available.
The video can be viewed on the museum’s web site (www.americanart.si.edu)
and can be ordered through Crystal Productions (www.crystalproductions.com).
Other previous exhibitions are archived online as well, notably Graphic Masters: Highlights
from the Smithsonian American Art Museum (touring through 2005, catalogue available),
Eyeing America: the Prints of Robert Cottingham, and Posters American Style (catalogue
available). Works can also be located online individually by artist, title, type of
artwork, or subject matter.
The study room is open weekdays from 10 a.m. to 5 p.m. and visitors are welcome to
view works from the collection. Contact Collections Manager, Denise Wamaling, (202-275-1651)
for an appointment in order that the works may be pulled for viewing in advance of your
visit. The study room can also accommodate classes of up to 20 people.
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